When I was younger, I normally wasn’t able to read comics. My mom thought that they would rot my brain. But every so often, I would be able to sneak a peek at one of my friends’ collection and read an issue or two, or a whole story arc if they had enough issues.
I have to say, there was nothing to compare the experience of having one of those small magazines and opening to an action packed scenario that my favorite superhero team was always managing to get into.
But today, there’s a vastly growing movement from reading these comics in a physical version to reading them on an eReader. Today’s technology has been able to represent these stories in a way that could revolutionize how we experience comics in general.
I got my hands on a copy of [tag]justice-league[/tag] #1 (Sept 2011) and the same copy on my iPad; reading it on the comiXology app available in the iTunes App Store and Android Market. This review will be based on those two facts.
“Look, we don’t have time for long introductions. I need to tell this story quickly, or we’re all going to die.”
With this sentence, a story is told by siblings Carter and Sadie Kane, who were born of the powerful Kane family. They work to save the world from Apophis, the Egyptian God of Chaos. In order to do this, they seek to restore Ra, the pharaoh of the Gods, to his rightful place as Sun King. In order to do this, they travel across 3 continents, the Duat, the land between worlds. They battle gods, magicians, demons, and even Katrina the camel, who is a natural disaster. They struggle to come to grips with themselves, the gods, other magicians, their question, and relationships.
I’ve been amazed at the sarcasm, the snide remarks of a brother/sister, and the numerous hilarious references put in place. If you like the quote at the beginning of the article, you are sure to find more to entertain you. I won’t ruin the book by giving you too many more, but the humor of the book certainly helped to lift up some of the darker moments in the book.
This book is a nice, easy read, comparable in complexity to books like the early Harry Potter books. It is equally suitable for adults. It is a very gripping tale, which I am slowly coming to regard as one of my favorite series, even topping the Percy Jackson series previously published.
This book is also somewhat educational, as all artifacts and places are real, and all myths, gods, and related stories are solidly based in Egyptian lore. It has helped me to learn much about the Egyptian gods, from learning more about Ra, to learning of the existence of Gods like Bast and Des.
I do recommend that one first reads The Red Pyramid, as it covers much back story that one would miss if they jumped directly to this book. I recommend it to anyone who is a fan of fiction which takes the ancient world and plays with it today, and in general, for anyone who wishes to find a good book to read.
All comic books are tights and fights. That seems to be the immediate assumption people make when they think about the medium. To be fair, the artform’s biggest celebrities (Superman, Spider-Man, Batman) all wear spandex while purposefully throwing their fists into faces. And when a movie not based on superhero comics is released, there always seems to be a level of shock or surprise when the film’s secret origin is revealed (usually the question “Ghost World/Redemption Road/From Hell was a comic?” followed by a brain cave-in). The truth is, comic books are a means of expressing a story and are not confined to the superhero genre. So to those of you reading this who snicker at trailers for films starring grown men wearing bodysuits made of an incomprehensible mix of spandex, leather and rubber, I give you…Y: The Last Man.
The series takes place in the aftermath of a mysterious plague that kills everything with a Y chromosome…except 22-year old amateur escape artist Yorick Brown and his male Capuchin helper monkey, Ampersand. Yes, post-apocalyptic settings and population-destroying plagues are nothing new to science fiction, but that doesn’t mean that Y: The Last Man lacks originality. The complexity of the characters and their continued growth as well as recurring themes and an intricate narrative make this a completely thrilling read. The voice of this series, which mixes political thriller elements with irreverent humor (via Yorick), is so unique that it makes you forget that you have previously read similar tales.
Throughout its 60 issues, writer Brian K. Vaughan weaves a narrative that hops around the globe as much as it does the story’s own timeline. Events unfold chronologically for the most part, but Vaughan intercuts the expertly paced plot with Rashomon-style point-of-view shifts that show you where the different characters were when the plague hit. This nonlinear approach is key to maintaining suspense as the protagonists slowly start to uncover clues about what caused the plague and Yorick and Ampersand’s immunity.
Gender politics probably top the list of Things That Will Never Be Discussed In Comics for many science fiction fans, but Y: The Last Man tackles issues head on. Vaughan uses the setting of a world populated almost exclusively by X chromosomes to make gender equality, sexuality, feminism and women’s historical importance seamless parts of the story. None of these Very Special Topics, which could easily feel lecture-y, feel out of place thanks to Vaughan’s thought-out approach. It’s also of note that the series features a remarkably strong cast of women, all of whom fight off the stereotype that many of the big-buxomed and scantily clad super heroines perpetuate. A few of these women are:
Agent 355, who is Yorick’s bodyguard on his continent-spanning journey and a member of a mysterious government agency whose origin dates back to the Revolutionary War
Dr. Allison Mann, an expert geneticist whose recent breakthroughs in human cloning prove to be important in a world with no men
Hero Brown, Yorick’s older sister and former paramedic
While the global ramifications caused by the death of every male are interesting in their own right, action fans need not fret. The mix of drama and explosions, chases, espionage and intrigue will satisfy anyone who enjoys shows like “Lost” or “Battlestar Galactica.” The world of Y: The Last Man is dangerous and the series truly pulls no punches.You will root for characters who are constantly in peril. Be prepared.
Everything I’ve written so far pertains to the writing, which would be worthless if it wasn’t being illustrated by a true top-notch talent able to convey subtle emotions and complex action sequences. Series co-creator Pia Guerra is just that; she’s top-notch. Her art isn’t overly flashy or stylized. Her people look and move like proportional people. But as a series that is set on portraying what would really happen in the event of a gendercide, Guerra’s art is perfect. It sells the elements that might push probability by portraying them in a grounded fashion, and also makes the intensity of the story hit that much harder because of how familiar it all feels. Her art is so essential to the story that the handful of substitute artists the series employed match up fairly seamlessly with Guerra’s artistic vision.
If you are a fan of science fiction but have yet to take the dive into comic books, then Y: The Last Man is the comic your diving board. It’s an excellent example of the artistic heights that the medium can achieve, as well as a phenomenal serialized story that, in my opinion, nails the landing. Don’t believe me? Check it out. I just finished this series a few days ago and I’m dying to talk to someone about it.
Another Earth is an indie science-fiction film about a young woman, Rhoda Williams (played by Brit Marling), who on the eve of heading off to MIT gets in a tragic car accident. There’s a remarkable discovery that there’s another planet in our solar system, and that planet is the titular Another Earth. Over the next few years as the other Earth comes closer to our Earth, where the story takes place, we follow the dramatic turns her life takes as a result of her car accident.
As a sort of counter point to movies that use science-fiction to provide a reason for special effects and explosions, this is a quiet film that uses a science-fiction plot element to examine the weight of loss and regret. Here the focus is on the characters. The young Rhoda struggles to determine how to live a life after the accident. We see the damage the accident did to the man in the other car (played by Lost‘s William Mapother), and the hope they both have that a better life is happening above them on the other Earth.
The muted tone and slow, deliberate style of this film isn’t for everyone. However, if you’re a fan of sci-fi where the human condition is dissected, and where fantastical elements are minimal, you owe it to yourself to catch this film. Unfortunately, the film saw a limited release in theaters, so many people won’t be able to catch it until it’s released on streaming, DVD & Blu-ray.